|
HUM-101 |
THE ART AND HISTORY OF THE |
3 |
|
An introduction to the art
and history of motion |
|
|
MOTION PICTURE |
|
|
pictures. Films will be
approached from a variety |
|
|
|
|
|
of perspectives: as the work
of particular |
|
|
|
|
|
directors, as genre pieces,
as cultural artifacts, |
|
|
|
|
|
and as works of art. The
course will also examine |
|
|
|
|
|
the economic, political, and
ideological aspects |
|
|
|
|
|
of the motion picture
industry.
|
|
HUM-150 |
INTRODUCTION TO THE ARTS |
3 |
|
An examination of the
technical, psychological, |
|
|
|
|
|
social and cultural
dimensions of the artistic |
|
|
|
|
|
mediums of art, music and
drama. Students will |
|
|
|
|
|
develop means of analyzing
and critically |
|
|
|
|
|
commenting on the artistic
experiences. |
|
|
|
|
|
Pre-requisite/co-requisite:
ENGL 101 or ENGL |
|
|
|
|
|
109 |
|
HUM-190 |
DIRECTED STUDY IN HUMANITIES |
1 |
12 |
|
|
HUM-192 |
SPECIAL TOPICS IN HUMANITIES |
1 |
12 |
|
|
HUM-290 |
DIRECTED STUDY IN HUMANITIES |
1 |
5 |
|
|
HUM-291 |
WORKSHOP IN HUMANITIES |
1 |
3 |
|
|
HUM-292 |
SPECIAL TOPICS IN HUMANITIES |
1 |
3 |
|
|
HUM-295 |
PRACTICUM IN HUMANITIES |
1 |
12 |
|
|
HUM-296 |
COOPERATIVE EDUCATION IN
HUMANITIES |
1 |
12 |
|
|
HUM-299 |
RESEARCH ASSISTANTSHIP |
1 |
12 |
|
|
HUM-300 |
ARTS AND IDEAS I |
3 |
|
An integrated humanities
course designed to |
|
|
|
|
|
examine the historical,
philosophical, and |
|
|
|
|
|
aesthetic aspects of the
humanities in Western |
|
|
|
|
|
Culture. Covers the
historical periods from |
|
|
|
|
|
Mesopotamia and Egypt to the
Middle Ages.
|
|
HUM-301 |
LITERATURE AND CULTURE |
3 |
|
Emphasizes literature in the
context of |
|
|
|
|
|
historical, philosophical,
and esthetic aspects of |
|
|
|
|
|
western culture, from the
Renaissance to the |
|
|
|
|
|
present. Writing
Integrated.
Pre-requisites: ENGL 101 or ENGL 109.
|
|
HUM-350 |
ETHICS: |
3 |
|
The primary purpose of the
integrative 350 core |
|
|
|
|
|
course is to develop
interdisciplinary abilities |
|
|
|
|
|
in ethical clarification
with reference to at |
|
|
|
|
|
least two major contemporary
issues. These |
|
|
|
|
|
courses focus primarily on
ethical concerns. |
|
|
|
|
|
Topics include the following
subjects: |
|
|
|
|
|
ART AND CENSORSHIP |
|
|
|
|
|
Focuses on the social and
ethical implications of |
|
|
|
|
|
the artist's creative
freedom, particularly how |
|
|
|
|
|
artistic freedom related to
personal freedom. |
|
|
|
|
|
Considers issues common to
the visual, plastic, |
|
|
|
|
|
musical, and theatrical
arts. Writing integrated. |
|
|
|
|
|
PROPAGANDA |
|
|
|
|
|
Traces the origins, examines
the practices and |
|
|
|
|
|
considers the consequences
of propaganda in both |
|
|
|
|
|
totalitarian and democratic
societies. The |
|
|
|
|
|
ethical implication of
propaganda will be explored |
|
|
|
|
|
by applying relevant ethical
and moral codes to a |
|
|
|
|
|
variety of case studies.
Writing integrated. |
|
|
|
|
|
HUMAN RIGHTS AND APPLIED
ETHICS |
|
|
|
|
|
Investigates through
critical reasoning students' |
|
|
|
|
|
own value systems and the
assumptions implicit in |
|
|
|
|
|
assumptions of and
justifications for human |
|
|
|
|
|
rights. Writing integrated. |
|
|
|
|
|
ETHICS AND ECOLOGY |
|
|
|
|
|
Introduces the nature of
ethical reasoning in |
|
|
|
|
|
relation to the ecology and
the impact of human |
|
|
|
|
|
culture and scientific
thought on ecology. |
|
|
|
|
|
Students face questions
arising from their ethical |
|
|
|
|
|
obligations to each other,
to non-human species, |
|
|
|
|
|
and to the planet itself.
Writing integrated. |
|
|
|
|
|
ETHICS AND TECHNOLOGY |
|
|
|
|
|
Explores ethical challenges
of living and working |
|
|
|
|
|
in a technological world.
Students consider the |
|
|
|
|
|
personal, social, and
philosophical implications |
|
|
|
|
|
of global technology.
Writing integrated. |
|
|
|
|
|
POWER, PROGRESS AND ETHICS |
|
|
|
|
|
Contemporary ethical issues,
such as human health |
|
|
|
|
|
and the environment, will be
treated from a |
|
|
|
|
|
variety of scientific and
literary perspectives. |
|
|
|
|
|
The complex consequences of
decision making in |
|
|
|
|
|
science on community welfare
will be explored. |
|
|
|
|
|
Discussion, personal and
literary accounts and |
|
|
|
|
|
social history will provide
a variety of |
|
|
|
|
|
perspectives on these
issues. This course is |
|
|
|
|
|
cross-listed with NS 350. |
|
|
|
|
|
WOMEN IN THE TWENTIETH
CENTURY |
|
|
|
|
|
Ethical issues confronted by
women worldwide, |
|
|
|
|
|
through a study of literary
and historical texts |
|
|
|
|
|
and through their own
writing. Cross-listed with |
|
|
|
|
|
SS 350. Writing integrated. |
|
|
|
|
|
Pre-requisite:
Completion of the skills
component |
|
|
|
|
|
of the General Education
Core or permission of the |
|
|
|
|
|
instructor.
|
|
HUM-351 |
VALUES: |
3 |
|
The primary purpose of the
integrative 351 core |
|
|
|
|
|
course is to develop
interdisciplinary abilities |
|
|
|
|
|
in values clarification with
reference to at least |
|
|
|
|
|
two major contemporary
issues. These courses |
|
|
|
|
|
focus on a broad range of
values questions. Topics |
|
|
|
|
|
include the following
subjects: |
|
|
|
|
|
SEMINAR ON DIVERSITY |
|
|
|
|
|
Explores through a study of
literary texts, how |
|
|
|
|
|
differences in race,
ethnicity, gender, and
social |
|
|
|
|
|
class affect individual
values and conduct. |
|
|
|
|
|
Addresses cultural
understanding and seeks to |
|
|
|
|
|
reconcile human
differences. Writing
integrated. |
|
|
|
|
|
SEMINAR ON WILDERNESS |
|
|
|
|
|
Explores value-laden
questions surrounding |
|
|
|
|
|
contemporary and perennial
issues of people's |
|
|
|
|
|
relationships with nature.
Stresses clarification |
|
|
|
|
|
of values in personal and
public spheres through |
|
|
|
|
|
the perspectives of several
disciplines |
|
|
|
|
|
(literature, history,
natural science, and |
|
|
|
|
|
philosophy.) Writing
integrated. |
|
|
|
|
|
NORTHWEST HISTORY AND
LITERATURE |
|
|
|
|
|
Through a study of
regionalist ethics and of |
|
|
|
|
|
Northwestern history, values
and literature, this |
|
|
|
|
|
seminar explores the
Northwest region and studies |
|
|
|
|
|
the intersection of values,
historical |
|
|
|
|
|
consciousness and writing in
the Northwest. |
|
|
|
|
|
Writing integrated. |
|
|
|
|
|
Pre-requisite:
Completion of the skills
component |
|
|
|
|
|
of the General Education
Core or permission of the |
|
|
|
|
|
instructor. |
|
HUM-353 |
LATIN AMERICA: CULTURES AND
VALUES |
3 |
|
Social, historical, and
institutional approaches |
|
|
|
|
|
to understanding Latin
American cultures and |
|
|
|
|
|
values. Emphasizes the view
of a culture on its |
|
|
|
|
|
own terms and the
clarification of personal
values |
|
|
|
|
|
across cultures. |
|
HUM-390 |
DIRECTED STUDY IN HUMAITIES |
1 |
5 |
|
|
HUM-391 |
WORKSHOP IN HUMANITES |
1 |
3 |
|
|
HUM-392 |
SPECIAL TOPICS IN HUMANITIES |
1 |
3 |
|
|
HUM-396 |
COOPERATIVE EDUCATION IN
HUMANITIES |
1 |
12 |
|
|
HUM-399 |
RESEARCH ASSISTANTSHIP |
1 |
12 |
|
|
HUM-490 |
DIRECTED STUDY IN HUMANITIES |
1 |
5 |
|
|
HUM-491 |
WORKSHOP IN HUMANITIES |
1 |
3 |
|
|
HUM-492 |
SPECIAL TOPICS IN HUMANITIES |
1 |
3 |
|
|
HUM-495 |
PRACTICUM IN HUMANITIES |
1 |
12 |
|
|
HUM-496 |
COOPERATIVE EDUCATION IN
HUMANITIES |
1 |
12 |
|
|
HUM-499 |
RESEARCH ASSISTANTSHIP |
1 |
12 |
|