Ed Edmo -
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Native
American Consultant/ Storyteller |
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Internationally acclaimed poet, performer, traditional storyteller and lecturer on Northwest tribal culture. Consultant to the Smithsonian Museum of the American Indian, recipient of a national Endowment for the Arts grant, conducts writing workshops, storytelling performances, and informational lectures. A Native American with Shoshone-Bannock tribal affiliation, Ed presently serves as a consultant to the Native American architects of the Smithsonian Museum of the American Indian. |
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Since 1986, Ed has
narrated the production “Children of the Raven” for the Eugene Ballet
Company. Ed performed his play “Grandma Choke Cherry” at Fishtrap, Wallowa,
Oregon in 1994 and at The Newberry Library, Chicago in 1996. In 1995, he
joined the Eugene Ballet Company’s world tour performing “Through Coyote’s
Eyes: A Visit with Ed Edmo,” in Syria, India, and Jordan. Ed adapted the
Klickitat legend, “Bridge of the Gods” for the Tears of Joy Puppet Theatre
in 1997, with a National Endowment for the Arts Grant, marking his most
recent success in playwriting. In 1998, Ed taught “Legend as Drama” at the
Longhouse of Evergreen State College. |
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Mr. Edmo’s poetry,
short stories, and plays have been published in: A Nation With-In, Outrigger
Press, Hamilton, New Zealand, 1983; These Few Words of Mine, Blue Cloud
Quarterly, Marvin, South Dakota, 1985; “After Celilo” Talking Leaves, Dell,
New York, N.Y., 1991; “Walking On Water” Headwaters, A Leftbank Book, Blue
Heron Press, Hillsboro, Oregon, 1994. “Through Coyote’s Eyes: A Visit with
Ed Edmo” took first place at the Interstate Firehouse Cultural Center play
festival, 1990; “Raintee: The Play” won a staged reading, 1986. His poem,
“Indian Education Blues” appears on Tri-Met Busses in the program Poetry in
Motion, 1997 and in stone at The Valley Library, Oregon State University,
Corvallis, Oregon. |
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| Ed conducts writing workshops and performs his one man theater pieces throughout the United States. Ed currently works with the Oregon Folklife Program at the Oregon Historical Society and the Chautauqua Program with the Oregon Council for the Humanities. | |
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